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| Тема |
 Re: Да ? [re: Dunek_Lozar] |
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| Автор |
Dunek_Lozar (сръболафещ тюрк) |
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| Публикувано | 21.09.06 23:47 |
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Macedonian music styles developed under the strong influence of Byzantine church music. It can be stated with some certainty that all of the 3,500 disciples of Clement and Naum studied music as they prepared to spread and establish Christianity, as music education was obligatory for service in the clergy. In addition to spreading the liturgy of the Orthodox Church, they spread Byzantine liturgical music throughout Macedonia. As part of Clement's heritage, 14 Greek manuscripts have been preserved, written in the period between the 11th and the 14th centuries and accompanied by pneumatic notation. "The Bologne Psalter," written in Cyrillic in the village of Raven near Ohrid in about 1235, is accompanied with ecphonetic notation signs. Among the most prominent names in Byzantine church music was John Koukouzeles (14th century), a reformer of the Orthodox chant born in the village of Dzermenci near Debar. He was taken to Constantinople as a young boy to become one of the most distinguished personalities of that time. A founder of new notation characters and new notational signs, he retained only twenty-five of the old ones. Several distinguished successors of Koukouzeles were born in Macedonia as well, such as Joseph, Peter, and Grigorij Koukouzeles. Under Ottoman rule, professional music activity ceased to be practiced and only folk songs remained. Macedonians created their own musical wealth, expressing their sufferings and joys, distresses and beliefs. The folk song remained the only music activity in Macedonia until the 19th century...........
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Re: Да ?