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Line In The Sand-MotorHead
Motorhead
Line in the Sand
Evolution is a mystery
Full of change that no one sees
Clock makes are full of history.
Yesterday's too long ago
Don't agree with what I know
Tomorrow got no place to be.
I've seen the line in the sand
Trying to find out who I am
Looking back to see where I stand
Evolution! Evolution!
See my reflection change
Nothing ever stays the same
But you know the name's the Game
We all…
I've seen the line in the sand
Trying to find out who I am
Looking back to see...
[CRY]
GREATEST SONG EVER!
10X LEMMY -
YOU WILL NEVER DIE AT MY SOUL!
M̲otö̲rhea̲d -Kis̲s̲ Of Dea̲t̲h̲ (Full Album 2006)
https://www.youtube.com/watch?v=PTLOz7xKd0o
https://www.youtube.com/watch?v=PTLOz7xKd0o
Bad Religion
Killers
https://www.youtube.com/watch?v=1I4Sy3_QcY8
In the Black
PS
==========================
Lemmy
From Wikipedia, the free encyclopedia
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For other uses, see Lemmy (disambiguation).
Lemmy
Lemmy-02.jpg
Lemmy performing in May 2005
Born Ian Fraser Kilmister
24 December 1945
Stoke-on-Trent, Staffordshire, England
Died 28 December 2015 (aged 70)
Los Angeles, California, U.S.
Resting place Forest Lawn Memorial Park
Other names
Lemmy KilmisterIan Fraser Willis
Occupation
Singersongwritermusicianbassist
Years active 1965–2015
Musical career
Genres
Heavy metal speed metal rock and roll hard rock space rock
Instruments
Vocalsbassguitar
Associated acts
MotörheadHawkwindThe Rockin' VickersOpal ButterflyThe DamnedThe Head CatGirlschoolSam Gopal
Website imotorhead.com
Ian Fraser Kilmister (24 December 1945 – 28 December 2015), better known as Lemmy, was an English singer, songwriter, and musician. He is best remembered as the founder, lead singer, bassist, and primary songwriter of the rock band Motörhead.
Lemmy's music was one of the foundations of the heavy metal genre.[1] He was known for his appearance, which included his signature friendly mutton chops, his military-influenced fashion sense, and his gravelly rasp of a voice that was once declared "one of the most recognisable voices in rock". He was also noted for his unique way of singing, which was once described as "looking up towards a towering microphone tilted down into his weather-beaten face".[2] He was also known for his bass playing style and using his Rickenbacker bass to create an "overpowered, distorted rhythmic rumble",[2] while another notable aspect of his bass sound was that he often played power chords using heavily overdriven tube stacks by Marshall.
Lemmy was born in Stoke-on-Trent and grew up between there, the nearby towns of Newcastle-under-Lyme and Madeley, and later the Welsh village of Benllech. He was influenced by rock and roll and the early works of the Beatles, which led to him playing in several rock groups in the 1960s such as the Rockin' Vickers. He worked as a roadie for Jimi Hendrix and The Nice before joining the space rock band Hawkwind in 1971, singing lead vocals on their hit "Silver Machine". In 1975, he was fired from Hawkwind after an arrest for drug possession; that same year, he became the founder, lead singer, bassist, and songwriter of Motörhead. The band's success peaked around 1980 and 1981, including the hit single "Ace of Spades" and the chart-topping live album No Sleep 'til Hammersmith.
Lemmy continued to record and tour regularly with Motörhead until his death on 28 December 2015 in Los Angeles, where he had lived since 1990. He was diagnosed with prostate cancer two days before his death. Alongside his music career, he had minor roles and cameos in film and television. He was well known for his hard-living lifestyle, which included chain-smoking and the daily consumption of high amounts of alcohol and amphetamines.
Contents
Early life
Lemmy was born on 24 December 1945 in the Burslem area of Stoke-on-Trent, Staffordshire.[3][4] When he was three months old, his father, an ex-Royal Air Force chaplain and concert pianist,[5] separated from his mother. He moved with his mother and grandmother to nearby Newcastle-under-Lyme, then to Madeley.[6] When Lemmy was 10, his mother married former rugby player George L. Willis, who already had two older children from a previous marriage, Patricia and Tony, whom Lemmy disliked. They later moved to a farm in the Welsh village of Benllech, Anglesey, with Lemmy commenting that "funnily enough, being the only English kid among 700 Welsh ones didn't make for the happiest time, but it was interesting from an anthropological point of view".[7] He attended Sir Thomas Jones' School in Amlwch, where he was nicknamed "Lemmy". It was later suggested by some that the name originated from the phrase "lemmy [lend me] a quid 'til Friday" because of his alleged habit of borrowing money from people to play slot machines,[6][8][9][10] although Lemmy himself said that he did not know the origin of the name.[11] He soon started to show an interest in rock and roll, girls, and horses.
At school, Lemmy noticed a pupil who had brought a guitar to school and had been "surrounded by chicks". His mother had a guitar, which he then took to school, and was himself surrounded by girls even though he could not play. By the time he left school, he had moved with his family to Conwy. He went on to work several odd jobs, including one at the local Hotpoint electric appliance factory, while also playing guitar for local bands such as the Sundowners and spending time at a horse-riding school.[6] He saw the Beatles perform at the Cavern Club in Liverpool when he was 16, and then learned to play along on guitar to their first album Please Please Me. He also admired the sarcastic attitude of the group, particularly that of John Lennon,[12] and later said of the group, "Brian Epstein cleaned them up for mass consumption, but they were anything but sissies. They were from Liverpool [...] a hard, sea-farin' town, all these dockers and sailors around all the time who would beat the piss out of you if you so much as winked at them. [...] The Rolling Stones were the mummy's boys—they were all college students from the outskirts of London. [...] The Stones made great records, but they were always shit on stage, whereas the Beatles were the gear."[13]
Career
1960–1970: Early years
Lemmy playing bass and singing, with his trademark high microphone position
In Stockport, Lemmy joined local bands the Rainmakers and then the Motown Sect who played northern clubs for three years. In 1965, he joined The Rockin' Vickers[14] who signed a deal with CBS, released three singles and toured Europe, reportedly being the first British band to visit the Socialist Federal Republic of Yugoslavia. The Rockin' Vickers moved to Manchester, where they shared a flat together.[6]
Leaving the Rockin' Vickers, Lemmy moved to London in 1967. He shared a flat with Noel Redding, bassist of the Jimi Hendrix Experience, and with Neville Chesters, their road manager. He got a job as a roadie for the band.[1] In 1968, he joined the psychedelic rock band Sam Gopal under the name Ian Willis and recorded the album Escalator which was released in 1969.[15] After meeting Simon King at a shopping centre in Chelsea in 1969, he joined the band Opal Butterfly; but the group soon disbanded, having failed to raise enough interest with their singles.[6]
1971–1975: Hawkwind
See also Hawkwind (1970–75: United Artists era)
Lemmy during Motörhead's 2011 The Wörld Is Yours Tour
In August 1971, Lemmy joined the space rock band Hawkwind, who were based in Ladbroke Grove, London, as a bassist and vocalist. He had no previous experience as a bass guitarist, and was cajoled into joining immediately before a benefit gig in Notting Hill by bandmate Michael "Dik Mik" Davies, to have two members who enjoyed amphetamines.[16] Lemmy states that he originally auditioned for Hawkwind as a guitarist, but on the morning of the Notting Hill gig, they decided not to get another guitarist. By chance, the bass player didn't show up and left his equipment in the van. He often said, "Their bass player was pretty much saying 'please steal my gig!' So I stole his gig." Lemmy quickly developed a distinctive style that was strongly shaped by his early experience as a rhythm guitarist, often using double stops and chords rather than the single note lines preferred by most bassists. His bass work was a distinctive part of the Hawkwind sound during his tenure, perhaps best documented on the double live album Space Ritual. He also provided the lead vocals on several songs, including the band's biggest UK chart single, "Silver Machine", which reached #3 in 1972.
In May 1975, during a North American tour, Lemmy was arrested at the Canadian border in Windsor, Ontario, on drug possession charges. The border police mistook the amphetamine he was carrying for cocaine and he spent five days in jail before being released without charge. The band were forced to cancel some shows and, tired of what they saw as his erratic behaviour, decided to fire him.[17][18]
He once said of Hawkwind: ""I did like being in Hawkwind, and I believe I'd still be playing with them today if I hadn't been kicked out. It was fun onstage, not so much offstage. They didn't want to mesh with me. Musically, I loved the drummer, the guitar player. It was a great band.” [19]
1975–2015: Motörhead
Main article: Motörhead
After Hawkwind, Lemmy formed a new band called "Bastard" with guitarist Larry Wallis (former member of the Pink Fairies, Steve Took's Shagrat and UFO) and drummer Lucas Fox. Lemmy and Took were friends, and Took was the stepfather to Lemmy's son Paul. When his manager informed him that a band by the name of "Bastard" would never get a slot on Top of the Pops, Lemmy changed the band's name to "Motörhead" – the title of the last song he had written for Hawkwind.[20]
Soon after, both Wallis and Fox were replaced with guitarist "Fast" Eddie Clarke and drummer Phil "Philthy Animal" Taylor and with this line-up, the band began to achieve success. Lemmy's guttural vocals were unique in rock at that time, and were copied during the time when punk rock became popular{cite}. The band's sound appealed to Lemmy's original fans and, eventually, to fans of punk. Lemmy asserted that he generally felt more kinship with punks than with metalheads; he even played with the Damned for a handful of gigs when they had no regular bassist.[21] The band's success peaked in 1980 and 1981 with several UK chart hits, including the single "Ace of Spades", which remained a crowd favourite throughout the band's career, and the UK #1 live album No Sleep 'til Hammersmith. Motörhead became one of the most influential bands in the heavy metal genre. Their – and Lemmy's – final live performance was in Berlin, Germany on 11 December 2015.[22]
Personal life
Lemmy performing in May 2005
At the age of 17, Lemmy met a holidaying girl named Cathy. He followed her to Stockport, where she gave birth to his son Sean, who was put up for adoption.[6] In the 2010 documentary film Lemmy, he mentioned having a son whose mother had only recently reconnected with him and "hadn't got the heart to tell him who his father was". Later, during his time with The Rockin' Vickers, he slept with a woman in Manchester named Tracy; she had a son, Paul Inder, whom Lemmy met six years later. As an adult, Inder became a guitarist and occasionally joined Lemmy onstage.[6]
Lemmy lived in Los Angeles from 1990 until his death in 2015, his last residence being a two-room apartment two blocks away from his favourite hangout, the Rainbow Bar and Grill.[23]
In the 2005 Channel 4 documentary Motörhead: Live Fast, Die Old, it was claimed that Lemmy had slept with over 2,000 women. He later quipped, "I said more than 1,000; the magazine made 2,000 of it." Maxim had Lemmy at No. 8 on its top ten "Living Sex Legends" list, as they claimed that he had slept with around 1,200 women.[24] He is featured in the book Sex Tips from Rock Stars by Paul Miles.[25]
Dave Grohl, on his Probot website, describes musicians with whom he has worked. In his entry for Lemmy, he wrote:
We recorded [Lemmy's] track in Los Angeles in maybe two takes about a year and a half ago. Until then I'd never met what I'd call a real rock 'n' roll hero before. Fuck Elvis and Keith Richards, Lemmy's the king of rock 'n' roll—he told me he never considered Motörhead a metal band, he was quite adamant. Lemmy's a living, breathing, drinking and snorting fucking legend. No one else comes close.[26]
Lemmy was well known for his alcohol abuse. The documentary Motörhead: Live Fast Die Old stated that he drank a bottle of Jack Daniel's every day and had done so since he was 30 years old.[27] In 2013, he stopped drinking Jack Daniel's for health reasons.[28] During his time with Hawkwind, he developed an appetite for amphetamines and LSD, particularly the former. Before joining Hawkwind, he recalled Dik Mik, a former Hawkwind sound technician, visiting his home in the middle of the night and taking amphetamines with him. They became interested in how long "you could make the human body jump about without stopping", which they did for a few months until Mik ran out of money and wanted to return to Hawkwind, taking Lemmy with him.[9]
I first got into speed because it was a utilitarian drug and kept you awake when you needed to be awake when otherwise you'd just be flat out on your back. If you drive to Glasgow for nine hours in the back of a sweaty truck you don't really feel like going onstage feeling all bright and breezy. [...] It's the only drug I've found that I can get on with, and I've tried them all – except smack [heroin] and morphine: I've never "fixed" [injected] anything.[9]
In November 2005, he was invited to the National Assembly for Wales as a guest speaker by Conservative member William Graham. He was asked to express his views on the detrimental effects of drugs and called for the legalization of heroin. He stated that legalization would eradicate the drug dealer from society and generate money from its taxation (similar to drug laws in Portugal), however hard this would be to accept.[29]
Lemmy collected German military regalia; he had an Iron Cross encrusted on his bass, which led to accusations of Nazi sympathies. He stated that he collected the memorabilia because he liked the way it looked, and considered himself an anarchist or libertarian.[30][31] Lemmy said he was against religion, government, and established authority.[32][33] In 2011, he identified as agnostic, saying, "I can find out when I die. I can wait. I'm not in a hurry."[34] Jeff Hanneman, the founder of the thrash metal band Slayer, befriended Lemmy due to their shared fondness for collecting Nazi memorabilia.[35] According to Keith Emerson's autobiography, Lemmy gave him two of his Hitler Youth knives during his time as a roadie for the Nice. Emerson used these knives many times as keyholders when playing the Hammond organ during concerts with the Nice and Emerson, Lake & Palmer before destroying them. Lemmy defended his collection by saying that if his then-girlfriend (who was black) had no problem with it, nobody else should.[33]
Illness and death
Lemmy performing in May 2015
In December 2000, Lemmy's tour was cancelled when he was hospitalised in Italy with the flu, exhaustion, and a lung infection.[36] He was hospitalised with extreme dehydration and exhaustion in Germany in July 2005.[37] As he grew older, he used less alcohol and drugs as he suffered from diabetes and hypertension. In June 2013, it was reported that he had an implantable cardioverter-defibrillator fitted.[1] His tour was cancelled in July 2013 due to a severe haematoma.[38] He referred to his continuing drug use as "dogged insolence in the face of mounting opposition to the contrary".[33] Towards the end of his life, he had to use a walking stick.[39] He had started smoking at the age of 11.[40] In August 2015, he said he had cut down his smoking habit from two packs a day to one pack a week.[41] He was hospitalised with a lung infection in September 2015, after having breathing problems when performing onstage.[42]
On 28 December 2015, four days after his 70th birthday, Lemmy died at his Los Angeles apartment from prostate cancer, cardiac arrhythmia, and congestive heart failure.[43][44][45] Motörhead announced his death on their official Facebook page later that day. According to the band, his cancer had only been diagnosed two days prior to his death.[46]
Lemmy's manager, Todd Singerman, later revealed:
He [Lemmy] gets home [from tour], we have a big birthday party for him at the Whisky a Go Go. His friends came down and played. Two days later I could tell he wasn't feeling good. So we took him to the hospital. They release him. Then after the brain scan, they found the cancer in his brain and his neck. The doctor comes with the result a couple of days later and says "It's terminal."[47]
Lemmy's doctor had given him two to six months to live. Mikael Maglieri, owner of his nearby hangout of the Rainbow Bar and Grill, subsequently had a video game machine that Lemmy was fond of playing taken from the establishment and put in Lemmy's apartment so he could continue playing it from his bedside.[48] Although his manager had planned to keep the news private until his eventual death, Lemmy strongly encouraged him to make the diagnosis public in early 2016, but he
died before a press release could be drafted.[48]
Funeral
REFERENCE 48
Bang Your Head
Bang Your Head: Three Decades of Hard Rock and Heavy Metal
September 20, 1996
Anxiety, anger, insecurity, loneliness and sexual confusion – sounds like just another Saturday night in the life of teenage America. Not surprisingly, these also sound like the themes most often found in the kind of driving, pounding hard rock that is alternately labeled heavy metal, heavy rock or even “head-banging” music. Finding its core audience among teenage boys, the many stylistic shades within this broad category have another central theme: “If it’s too loud, you’re too old.”
While hard rock constantly re-emerges on the pop music scene (Metallica’s headlining of the concert extravaganza Lollapalooza and Kiss’ return to touring are but two examples), it reached its widest audiences during the early 1970s, with such groups as Led Zeppelin, Black Sabbath and Deep Purple.
Bang Your Head traced this music from its antecedents in blues-based power rock in the 1960s to its commercial dominance in the 1970s, to such 1990s practitioners as Metallica. Many of these hard rockers are among popular music’s most outlandish performers, employing stage costumes and props that draw from myths, mysticism and, sometimes, mayhem. The style’s theatrical presentation was abundantly evident in this colorful exhibition.
Bang Your Head: Three Decades of Hard Rock and Heavy Metal occupied most of the Museum’s fourth floor. Documenting a very theatrical musical style, the exhibit exploring it was equally visually striking, with audacious stage props and flamboyant instruments (yes, that’s Bela Lugosi’s face on Slash’s guitar).
Among the highlights of Bang Your Head:
A pair of working cannons used onstage by AC/DC in the 1980s, as well as a church bell from the group’s Back in Black tour and Angus Young’s schoolboy stage outfit.
Metallica’s “Scales of Justice” stage props from 1988.
A cross designed for Motley Crue’s 1989 Dr. Feelgood tour.
A customized, 1982 Harley Davidson low rider, used onstage by Rob Halford of Judas Priest in the 1980s.
Dee Snider’s gender-bending stage costume – complete with wig, shoulder pads and fringed boots – used in the Twisted Sister video “We’re Not Gonna Take It” and on the Stay Hungry tour in 1984.
A stable of leather costumes, from the metal-studded S&M Glenn Tipton stage outfit, to Ted Nugent’s loincloth. The exhibit also contained a black leather jacket with flashing fiber-optic lights worn by Iron Maiden’s Bruce Dickinson in 1986, Slash’s (of Guns n’ Roses) black leather jacket and trademark tophat from the mid-1980s and the black leather jacket worn by Black Sabbath’s Tony Iommi in 1971.
The exhibit also diplayed an impressive collection of electric guitars, including Ted Nugent’s Gibson semi-hollow body, the Sandoval V from Ozzy Osbourne’s guitarist Randy Rhoads, the Fender Stratocaster used by Ritchie Blackmore of Deep Purple, a vintage Gibson EB-1 bass from Felix Pappalardi of hard rock pioneers Mountain and Lemmy’s (of Motorhead) Rickenbacker bass.
Neil Young's Fringed Leather Jacket
Photo by Design Photography
Collection of Neil Young
Четох много за Леми, попаднах на разговор на фенове, единият от които каза, че преди да почине Леми е поискал след концерта обичайната напитка, много бил ожаднял.
Изпил каквото му е било донесено и е починал. Скоропостижная смерть както казват руснаците.
Ами това е. ЗАГЛАВИЕТО е ТВЪРДЕ ДВУСМИСЛЕНО... КАК ДА РАЗБИРАМ BANG?
бахнуть; захлопываться; колотиться (on); захлопнуть; захлопывать; ударить; удариться; стукнуть; стукнуться; хлопнуть (дверью); грохнуть; ударять; ударяться; превзойти; перегонять; перегнать; подстригать волосы чёлкой; стукаться; хлопать (о двери); шандарахнуть (Anglophile); ошарашивать; ошарашить; грохотать; захлопнуться (о двери и т.п.); стучать (о двери и т.п.); стукать; поколотить (on); поколотиться (on); постучать; прихлопнуть; прихлопывать; прихлопываться
Gruzovik бухать (бу́хать; impf of бу́хнуть); бухнуть (pf of бу́хать); ошарашивать (impf of ошарашить); ошарашить (pf of ошарашивать); (on) поколотить (pf of колотить); постучать (pf of стучать); прихлопнуть (pf of прихлопывать); прихлопывать (impf of прихлопнуть); ботать; (on) колотить
ad. бэнг (использование при презентации неожиданного приема, привлекающего внимание pelipejchenko)
austral., slang совершать половой акт
dial. достучать; чакнуть
explan., nonstand. совокупляться
Gruzovik, dial. чакать; хляпать; хляпнуть
Gruzovik, inform. дубасить (impf only; on); настукать (pf of настукивать); барабанить (impf only); бахать (impf of бахнуть); бацать (of gunfire); бацнуть (of gunfire); грохать (impf of грохнуть); бабахнуть; настучать (pf only; = настукать); отбрякнуть (semelfactive of отбрякать); тарарахнуть (semelfactive of тарарахать); хлобыснуть; хлобыстать; хлобыстнуть; бахаться (impf of бахнуться); ахнуть (pf of ахать); бабахать; бахнуть (pf of бахать); гвоздить (impf only); прогрохотать (pf only); трахнуть (pf of трахать); треснуть (pf only); тюкать (impf only); тюкнуть (semelfactive of тюкать); (against) угодить (pf only); ухать (impf of ухнуть); ухнуть (pf of ухать); хляскать; хляснуть; хлястать; отбрякать; тарарахать; брякать
Gruzovik, taboo. ёбнуть
inform. брякнуть; гвоздить; заботать; тузить; превосходить; ахать; бахнуть (pf of бахаться); трахнуть; ухать; отбрякивать; отдубасить (on); поторкаться; прогрохотать; треснуть; тюкать; тюкнуть; угодить (against); ухнуть; хлястнуть
inform., dial. поколотиться (at)
IT стучать
jarg. иметь (Alex_Odeychuk); натягивать (Alex_Odeychuk); поиметь (Alex_Odeychuk)
mil. взрываться
rude чпокнуть (Andrey Truhachev)
slang заниматься сексом; впрыскивать себе наркотики (особ. героин); побивать; соблазнить к-л (Tatyana Kunavina); (somebody) трахаться с кем-л. (second opinion); 'употребить' женщину
taboo. трахать; жарить (AlexanderGerasimov)
taboo., nonstand. вступать во внебрачную связь
bang! v
gen. грох; паф; тарарах; ух; бац!
inform. бац
Bang! v
inform. ррраз! (Andrey Truhachev)
bang [bæŋ] n
gen. удар; гашиш; коротко стричь хвост лошади; коротко стричь хвост собаке; иногда употребляется как "бить"; звук удара; с шумом захлопнуть (ся); стук взрыва; стук удара; ботнуть; челочка (of hair); чолка (of hair); неожиданный, громкий удар (darrrione); громкий удар; колотить (on); звук выстрела; как раз
Gruzovik гривка; (of hair) чёлочка
agric. коротко подстригать хвост (у лошади)
astronaut. взрыв; отметка; толчок; импульс; выброс
austral., slang половой акт
chinese.lang. бан (для транскрипции на основе латиницы, используемой для передачи звуков китайского языка по системе ханьюй пиньинь, кириллический эквивалент приводится по системе Палладия Alex_Odeychuk)
hydrol. импульс (эхолота)
ichtyol. сероспинка (Alosapseudoharengus); элевайф (Alosapseudoharengus); алаша (Sardinella aurita); антильская сардинелла (Sardinella aurita); атлантическая сардинелла (Sardinella aurita); венесуэльская сардинелла (Sardinella aurita); круглая сардинелла (Sardinella aurita)
inform. хлоп; бить
IT, slang восклицательный знак (название символа)
met. звуковой импульс; щелчок
mil. цель (Бонч-бруэвич)
mil., radioloc. отметка цели
nautic. хлопок; импульс (об эхолоте); отметка (на экране индикатора)
oceanogr. импульс (в эхолоте)
sec.sys. выстрел
slang возбуждение; судебное обвинение; арест; удовольствие; свора журналистов (тж. см. gangbang Taras); укол наркотика; быть наркоманом
taboo. сношать (Andrey Truhachev)
taboo., nonstand. половой партнёр (usu good/bad bang); публичный дом; совокупление (usu have a bang)
telecom. главный вопрос (oleg.vigodsky)
bang! n
gen. тук-тук! (linton); бах; бряк; трах; трах-тарарах; хлоп
expresses noise of heavily falling objects bang! n
gen. бабах
bang [bæŋ] adj.
gen. вдруг; прямо
inform. внезапно; громко; шумно
inform., emotive очень; здо́рово!
rude оприходовать (Andrey Truhachev); чпокать (Andrey Truhachev)
slang вмазка впрыскивание наркотиков (Andrey Truhachev); ширялово (Andrey Truhachev)
bang [bæŋ] n
gen. грохот
anim.husb. коротко подстриженный хвост у лошади
bang [bæŋ] v
slang жучить (VLZ_58)
bang! int.
Gruzovik грох!; паф!; тарарах!; ух!; бряк!
Gruzovik, inform. бабах! (expresses noise of heavily falling objects)
bang [bæŋ] n
Gruzovik хлопо́к
taboo. ебнуться
Bang! n
inform. бубух (Andrey Truhachev); ба-бах! (Andrey Truhachev); хлобысть! (Andrey Truhachev); шмяк! (Andrey Truhachev); трах! (Andrey Truhachev); бах! (Andrey Truhachev); хрясь! (Andrey Truhachev); шлёп! (Andrey Truhachev); хлоп! (Andrey Truhachev); бух! (Andrey Truhachev); бабах! (Andrey Truhachev)
Bang [bæŋ] n
names Пан (фамилия, 100%, корейский ABelonogov)
prop.name Банг
English thesaurus
BANG [bæŋ] abbr.
abbr. Bringing Advancement Necessary For Greatness
abbr., inet. Be A Nice Guy
BANGS [bæŋz] v
tech. Bell administrative network communications system
МДА...
Mad Max - Motorhead - Ace of Spades (Working Version)
Редактирано от funy77 на 10.08.20 00:51.
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